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Unused Creativity Doesn’t Disappear

POSTED ON December 09, 2016   |   Post A Comment

Gearing up to release my new eBook, Creativity Triggers for Musicians. Below is part of the introduction. Reserve your free copy.

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Does Too Much Shedding Dampen Creativity?

POSTED ON December 03, 2016   |   Post A Comment

Q&A article this week. If you have any questions, write me at email hidden; JavaScript is required.

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More Information Isn’t the Answer

POSTED ON November 26, 2016   |   2 Comments

I know many musicians struggle with a common problem—they have a vision of where they want to go, motivation to practice today, but don’t know how to bridge the chasm.

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Infinite Hope

POSTED ON November 12, 2016   |   Post A Comment

We must accept finite disappointment, but never lose infinite hope.
Martin Luther King Jr.

 

There is a crack in everything. That’s how the light gets in.
Leonard Cohen, 1934 – 2016

Jerry Bergonzi’s Secret

POSTED ON November 04, 2016   |   Post A Comment

To follow up on my article, Forget 10,000 Hours of Delayed Gratification—Practice Flow, I want to share insight into the high-flow practices of two my favorite musicians.

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Interview for UW School of Music

POSTED ON October 29, 2016   |   Post A Comment

Brenda Banks, my graduate school advisor at the University of Washington, interviewed me as part of a series featuring alumni with “alternative” careers. We discuss the origin of my blog, my experience in the UW jazz program, marketing, and my future plans. I also list my favorite resources for freelance musicians and teachers.

Read the interview here

– ST

Jazz Robot Meets Fan

POSTED ON October 14, 2016   |   Post A Comment

This election is officially off the rails, so let me distract you with a couple videos.

You may remember the “jazz robot” videos from a few years ago. I just stumbled across the video I made in 2010. The material is mostly from real questions and comments from audience members“That guy with the big cello was really getting into it.”

Yesterday, film composer Danny Elfman released a horror soundtrack to clips from the last debate, called Trump Stalks Hillary. Pretty terrifying.

Hang in thereonly 24 more days.

– ST

Create Without Analyzing

POSTED ON October 08, 2016   |   2 Comments

Don’t try to create and analyze at the same time. They’re different processes.

– Sister Corita Kent and John Cage, “Ten Rules for Teachers and Students”

This is challenging practice because as artists, we are constantly assessing and judging our work.

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10 Improvisation Games for Ensembles

POSTED ON October 01, 2016   |   Post A Comment

Theater games help actors create new material and build trust. We can experience the same benefits from creative musical games.

Ease Fears

Improvisation is the source of paralyzing fear and for many musicians, and community-building games help ease fears about the creative process. The novelty, unpredictability, and attainable challenges help drive our attention into the present moment.

Engage Everyone

Group activities engage everyone in the ensemble. The jazz education model of teaching improvisation puts musicians on the spot one at a timemusicians who aren’t playing tend to check out mentally, and many inexperienced soloists get freaked out when put on the spot.

Introduce Creative Practices

Games allow us to experience profound creative practices: experimentation, creative risks, and playing within self-imposed limitations. Although some of the icebreaker games are silly, the practices help us improvise and compose in other areas.

Creative games and activities are the foundation of the Game Symphony Workshop.

When refer to various activities of life as “games,” we do not mean to imply that these activities are frivolous or make no difference. . .Half the fun of playing games like baseball—or the kind that come in a box—is that they challenge us to adapt and hone our skills. . .Naming your activities as a game breaks their hold on you and puts you in charge. Just look carefully at the cover of the box, and if the rules do not light up your life, put it away, take out another one you like better, and play the new game wholeheartedly. Remember, it’s all invented.

Roz Zander, The Art of Possibility

Here are ten of my favorite games for musicians who may be new to improvisation:

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Average Is Boring

POSTED ON September 24, 2016   |   Post A Comment

If you do something and you think, “That really seems like me and I don’t think anyone else does that,” then you’ve got to jump on that with both feet and do it over and over again until it becomes something that really works. That can take a long time or it can happen in a day. There’s that moment when you’re like, “Yeah, that’s what I do, right there.”

Ethan Iverson, pianist in The Bad Plus*

Finding an artistic voice is personally fulfilling and the key to standing out in a noisy world. The musical landscape is more crowded than ever, and the only artists we pay attention to are remarkable and unmistakablelike The Bad Plus.

In the 21st century, average is boring.

Photo courtesy of Flickr/William Andrus
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