I recently put together a presentation about the inner experience of a musical practice that’s both effective and fulfilling. This is essentially what I wish someone had sat down and outlined for me 20 years ago. I dive into the topics of mastery, drive, and flow, and incorporate some entertaining images and videos (I’ve been calling this my poor man’s TED talk).
Last week, I presented at a high school jazz camp at Central Washington University. It was inspiring to hear students talk about moments that they tapped into flow— practicing, conversations, working construction, repairing instruments. The audio/video isn’t the best quality, but you should be able to see and hear everything. (I plan on producing a higher-quality version of the talk later on.) Enjoy.
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Are you on the master’s journey, or are you dabbling, obsessing, or hacking your way through your music?
In his book Mastery: The Keys to Success and Long-Term Fulfillment, George Leonard paints an inspiring picture of the masters journey. His insight helps us stay on the path in the face of the internal and external forces that can knock us off. Leonard’s discipline is the martial art Aikido, but his lessons in mastery are equally relevant to music (and any other domain).
Mastery is a path, a journey—not a destination. A commitment to the master’s journey is dedication to lifelong learning and growth.
Our progress toward mastery isn’t linear. We experience bursts of growth on our path, but the majority of our time is spent on a plateau, where we continue to practice even when we don’t see day-to-day results.
Learn how to beat performance anxiety and perform your very best on stage.
This is the tagline for Dr. Noa Kageyama’s Beyond Practicing course. The class delivers on this promise and is unequivocally the most powerful music performance class I have taken. (FYI, this article is not a paid endorsement or advertisement.)
Our educational system often operates with the limiting belief that growth and achievement are testable and measurable. When this mindset takes hold of music education, we set a high bar for conformity and proficiency, but lose sight of artistry, expression, and courage.
Fear and anxiety are the biggest roadblocks to creative music making. The good news is the right strategies can ease the most profound phobias.
(Warning, there are a few swears. And I was a bit over-caffeinated, so I was talking much faster than usual.)
I created a Creativity Triggers for Musicians Facebook group to connect readers and creative musicians all over the world.
Of course, our most important connections are playing music together in real life. The value of a digital community is that we can:
– Connect with musicians across the globe
– Share music
– Ask and answer questions
– Find collaborators
– Share insight and resources
To create and perform great music, we need to connect with other people. Our creative practices are often stuffed into a practice room, isolating us from our peers. If we can break out of that sense of isolation, we can create more and connect with wider audiences.
– Kaley Lane Eaton, composer, vocalist, multi-instrumentalist
Download a free digital copy of my new book Creativity Triggers for Musicians. See you in the Facebook group.
Download a free digital copy of my new book Creativity Triggers for Musicians.
Creativity isn’t a mysterious or magical gift. It’s a practice.
Creativity Triggers for Musicians will help you express your unused creativity, break through barriers, and create an abundance of original music.
– Eight creative practices that underpin idea generation in any creative discipline.
– Creativity Triggers: frameworks for improvisation that draw from creative practices. These are similar to improv theater games and creative writing prompts.
The trap of perfectionism keeps us from making the impact we seek.
Endless polishing and tinkering is one way we hide from emotional risk. We may tell ourselves that if our work is perfect, it will be immune from criticism. I know a jazz musician who has been working on his first album for over ten years because he wants it to be perfect. Insulating ourselves from risk feels safe in the moment, but it keeps our original contributions bottled up inside.