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Why Only Is Better Than Best

POSTED ON August 08, 2016   |   2 Comments

Stop trying to beat everyone else. True success is creating work that no one else can replicate. Don’t aim to be the bestaim to be the only.

When you’re truly unmistakable, the competition becomes completely irrelevant. You’re not the best option, you’re the only option

– Srini Rao, Unmistakable: Why Only Is Better Than Best

Keith Jarrett doesn’t have any competition. If you want to hear Keith’s play live, there is no substitute for the man himself. Wayne Shorter, Esperanza Spalding, Bill Frisell, Roy Hargrove, and Pat Metheny are have carved out their own categories. They are unmistakable.

Are these musicians objectively the “best” at what they do? It’s an irrelevant question. These renowned artists have stepped out of the world of measurement into a universe of possibility.

monk

Portrait of Thelonious Monk, Minton’s Playhouse 1947, Photo by William Gottlieb, courtesy of Library of Congress

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Self-Doubt Versus Idea-Doubt

POSTED ON August 05, 2016   |   Post A Comment

Graphic novel author and illustrator Kazu Kibuishi wrote a succinct description of the creative process that resonated with artists all over the world:

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Quantity Leads to Quality

POSTED ON July 27, 2016   |   One Comment

It’s widely assumed that there’s a trade-off between quality and quality—if you want to do better work, you have to do less of it—but this turns out to be false. In fact, when it comes to idea generation, quantity is the most predictable path to quality.

Adam Grant, Originals: How Non-Conformists Move the World

Courtesy of Flickr/Gwenn Seemel

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Footage from the Game Symphony Workshop

POSTED ON July 07, 2016   |   Post A Comment

I had an exhilarating and inspiring weekend with thirteen musicians for the maiden voyage of the Game Symphony Workshop!

The event brought together a diverse group of musicians, including professional orchestral players, band directors, university students, and amateur musicians. The two day workshop at Seattle Pacific University culminated with the premiere of sixteen original pieces. The performance featured an improvised film score, abstract soundscapes, meditative minimalism, musical settings for poetry, solo improvisations, and Soundpainting, a sign language for live composition.

Kaley leads a rhythmic game on day one

Kaley leads a rhythm game on day one

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Find Your Calling

POSTED ON July 01, 2016   |   Post A Comment

I’m fascinated with how artists reconcile creating art with earning a living. Being a starving artist isn’t inevitable, but being passionate and skilled doesn’t entitle us to earn a living. The saying “do what you love and the money will follow” just doesn’t cut it!
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Who Cares if You Practice?

POSTED ON June 10, 2016   |   2 Comments

As players and teachers, many of us obsess over what to practice, how to practice, and how many hours to practice. This often puts the cart in front of the horse.

Photo courtesy of Flickr/Jason James

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Ideal Music Under Perfect Conditions

POSTED ON June 08, 2016   |   Post A Comment

I want to share a writing exercise from composer, pianist, and author W.A. Mathieu. If you feel overwhelmed or frustrated with trying to measure success by someone else’s model, this prompt will help you define a personal musical vision.

Photo courtesy of Flickr/alexanderward12

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This Might Not Work

POSTED ON May 26, 2016   |   Post A Comment

The mindset for creating a body of original work is simple, yet enormously challenging.

Photo courtesy of Flickr/Florence Ivy

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Being Generic Is a Choice

POSTED ON April 23, 2016   |   One Comment

I had the privilege of leading hands-on improvisation workshops for music majors at Seattle Pacific University and Central Washington University earlier this month. This article is based my presentation.

Courtesy of Flickr/lemonjenny

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Why Artists Embrace Nonlinear Practice

POSTED ON April 08, 2016   |   Post A Comment

If you find creativity mysterious, you may be stuck in linear thinking.

Courtesy of Flickr/PunkToad

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