Steve Treseler Music

Self-Doubt Versus Idea-Doubt

POSTED ON August 05, 2016   |   Post A Comment

Graphic novel author and illustrator Kazu Kibuishi wrote a succinct description of the creative process that resonated with artists all over the world:


Quantity Leads to Quality

POSTED ON July 27, 2016   |   One Comment

It’s widely assumed that there’s a trade-off between quality and quality—if you want to do better work, you have to do less of it—but this turns out to be false. In fact, when it comes to idea generation, quantity is the most predictable path to quality.

Adam Grant, Originals: How Non-Conformists Move the World

Courtesy of Flickr/Gwenn Seemel


Footage from the Game Symphony Workshop

POSTED ON July 07, 2016   |   Post A Comment

I had an exhilarating and inspiring weekend with thirteen musicians for the maiden voyage of the Game Symphony Workshop!

The event brought together a diverse group of musicians, including professional orchestral players, band directors, university students, and amateur musicians. The two day workshop at Seattle Pacific University culminated with the premiere of sixteen original pieces. The performance featured an improvised film score, abstract soundscapes, meditative minimalism, musical settings for poetry, solo improvisations, and Soundpainting, a sign language for live composition.

Kaley leads a rhythmic game on day one

Kaley leads a rhythm game on day one


Find Your Calling

POSTED ON July 01, 2016   |   Post A Comment

I’m fascinated with how artists reconcile creating art with earning a living. Being a starving artist isn’t inevitable, but being passionate and skilled doesn’t entitle us to earn a living. The saying “do what you love and the money will follow” just doesn’t cut it!

Who Cares if You Practice?

POSTED ON June 10, 2016   |   2 Comments

As players and teachers, many of us obsess over what to practice, how to practice, and how many hours to practice. This often puts the cart in front of the horse.

Photo courtesy of Flickr/Jason James


Ideal Music Under Perfect Conditions

POSTED ON June 08, 2016   |   Post A Comment

I want to share a writing exercise from composer, pianist, and author W.A. Mathieu. If you feel overwhelmed or frustrated with trying to measure success by someone else’s model, this prompt will help you define a personal musical vision.

Photo courtesy of Flickr/alexanderward12


This Might Not Work

POSTED ON May 26, 2016   |   Post A Comment

The mindset for creating a body of original work is simple, yet enormously challenging.

Photo courtesy of Flickr/Florence Ivy


Being Generic Is a Choice

POSTED ON April 23, 2016   |   One Comment

I had the privilege of leading hands-on improvisation workshops for music majors at Seattle Pacific University and Central Washington University earlier this month. This article is based my presentation.

Courtesy of Flickr/lemonjenny


Why Artists Embrace Nonlinear Practice

POSTED ON April 08, 2016   |   Post A Comment

If you find creativity mysterious, you may be stuck in linear thinking.

Courtesy of Flickr/PunkToad


4 Myths About Improvisation

POSTED ON January 08, 2016   |   Post A Comment

Improvisation, the most widely practiced of all musical activities, is probably the least recognized or understood. Vague descriptions like, “making it up as you go along” or “playing off the top of your head” give no idea to the pervasiveness and power of improvisation in music. Perhaps the air of mystery that surrounds it is inevitable.

Derek Bailey, On the Edge: Improvisation in Music

Photo by Steve Korn

Common myths about improvisation contribute to the “air of mystery.” I’d like to address four of them.


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