Thematic improvisation is the process of embellishing, developing, changing, and/or deconstructing a musical theme. These themes can come from the composition itself or improvised on the spot.
This approach to improvisation is a hallmark of some of the greatest jazz soloists, and practicing the process will help you generate and endless flow of ideas on any tune, in any style.
Fear and anxiety are the biggest roadblocks to creative music making. The good news is the right strategies can ease the most profound phobias.
(Warning, there are a few swears. And I was a bit over-caffeinated, so I was talking much faster than usual.)
I created a Creativity Triggers for Musicians Facebook group to connect readers and creative musicians all over the world.
Of course, our most important connections are playing music together in real life. The value of a digital community is that we can:
– Connect with musicians across the globe
– Share music
– Ask and answer questions
– Find collaborators
– Share insight and resources
To create and perform great music, we need to connect with other people. Our creative practices are often stuffed into a practice room, isolating us from our peers. If we can break out of that sense of isolation, we can create more and connect with wider audiences.
– Kaley Lane Eaton, composer, vocalist, multi-instrumentalist
Download a free digital copy of my new book Creativity Triggers for Musicians. See you in the Facebook group.
Download a free digital copy of my new book Creativity Triggers for Musicians.
Creativity isn’t a mysterious or magical gift. It’s a practice.
Creativity Triggers for Musicians will help you express your unused creativity, break through barriers, and create an abundance of original music.
– Eight creative practices that underpin idea generation in any creative discipline.
– Creativity Triggers: frameworks for improvisation that draw from creative practices. These are similar to improv theater games and creative writing prompts.
Reflecting on our performances makes us stronger musicians and collaborators. You can ask and answer the following questions:
Listen and reflect with a detached and compassionate curiosity.
To follow up on my article, Forget 10,000 Hours of Delayed Gratification—Practice Flow, I want to share insight into the high-flow practices of two my favorite musicians.
This election is officially off the rails, so let me distract you with a couple videos.
You may remember the “jazz robot” videos from a few years ago. I just stumbled across the video I made in 2010. The material is mostly from real questions and comments from audience members—“That guy with the big cello was really getting into it.”
Yesterday, film composer Danny Elfman released a horror soundtrack to clips from the last debate, called Trump Stalks Hillary. Pretty terrifying.
Hang in there—only 24 more days.