Fear and anxiety are the biggest roadblocks to creative music making. The good news is the right strategies can ease the most profound phobias.
(Warning, there are a few swears. And I was a bit over-caffeinated, so I was talking much faster than usual.)
I created a Creativity Triggers for Musicians Facebook group to connect readers and creative musicians all over the world.
Of course, our most important connections are playing music together in real life. The value of a digital community is that we can:
– Connect with musicians across the globe
– Share music
– Ask and answer questions
– Find collaborators
– Share insight and resources
To create and perform great music, we need to connect with other people. Our creative practices are often stuffed into a practice room, isolating us from our peers. If we can break out of that sense of isolation, we can create more and connect with wider audiences.
– Kaley Lane Eaton, composer, vocalist, multi-instrumentalist
Download a free digital copy of my new book Creativity Triggers for Musicians. See you in the Facebook group.
Download a free digital copy of my new book Creativity Triggers for Musicians.
Creativity isn’t a mysterious or magical gift. It’s a practice.
Creativity Triggers for Musicians will help you express your unused creativity, break through barriers, and create an abundance of original music.
– Eight creative practices that underpin idea generation in any creative discipline.
– Creativity Triggers: frameworks for improvisation that draw from creative practices. These are similar to improv theater games and creative writing prompts.
I had the privilege of recording with drummer extraordinaire Phil Parisot this Spring. The quartet record Lingo is out today on OA2 Records. Listen to clips and order at Amazon or OA2 records. CD release show on December 26th at Tula’s in Seattle.
About the record:
For Seattle-based drummer/composer Phil Parisot, playing music is about coming home. With “Lingo,” he introduces a new quartet comprised of musicians he’s known for 20 years. The result is a dark and atmospheric sound that draws upon an array of influences, including Afro-Cuban, fusion, and symphonic, all molded seamlessly into a cohesive modern jazz package. In addition to presenting a number of original compositions, “Lingo” is enhanced by references to Hugh Masekela, Aaron Copland, Duke Ellington, and more. Joining Parisot is Steve Treseler on tenor and soprano saxophone, Dan Kramlich on piano and Fender Rhodes, and Michael Glynn on acoustic bass.
I just released a promo video and new website for the Game Symphony Workshop. Watch classically-trained musicians collaboratively create and perform original music.
The footage comes from an adult workshop at Seattle Pacific University and a workshop with a high school jazz band. Watch the high school students play entertaining creative games to break the ice and build community. Thanks to Karl Benitez for filming the workshops and producing the video.
In related news, I’m performing with the Seattle Soundpainting Ensemble on Thursday 11/10 at the Chapel in Wallingford at 8PM.
Reserve a free digital copy of my forthcoming book Creativity Triggers for Musicians. The practices and strategies will help you unlock and unblock your innate creativity.
This week marks the one year anniversary of the Creative Music Blog! I want to share some exciting plans for the future and reflect on successes from the past year.
Launching this blog last September was part of a larger shift in strategy for how I earn a living as a musician. It also marked a major inflection point in my life. The practice of writing and sharing articles every week has connected me with a worldwide audience and opened doors for new projects and career opportunities.
I had an exhilarating and inspiring weekend with thirteen musicians for the maiden voyage of the Game Symphony Workshop!
The event brought together a diverse group of musicians, including professional orchestral players, band directors, university students, and amateur musicians. The two day workshop at Seattle Pacific University culminated with the premiere of sixteen original pieces. The performance featured an improvised film score, abstract soundscapes, meditative minimalism, musical settings for poetry, solo improvisations, and Soundpainting, a sign language for live composition.
I’m visiting friends and family in the Midwest this week, and I paid a visit to the childhood home of the great Bix Beiderbecke in Davenport, Iowa.
Bix’s music was magical, and his life was cut tragically short when he drank himself to death at age 28. He is one of my favorite jazz artists, and I half-jokingly say I trace my lineage back to Bix: a white musician growing up outside a major city who learned to play jazz by listening to recordings.