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Average Is Boring

POSTED ON September 24, 2016   |   Post A Comment

If you do something and you think, “That really seems like me and I don’t think anyone else does that,” then you’ve got to jump on that with both feet and do it over and over again until it becomes something that really works. That can take a long time or it can happen in a day. There’s that moment when you’re like, “Yeah, that’s what I do, right there.”

Ethan Iverson, pianist in The Bad Plus*

Finding an artistic voice is personally fulfilling and the key to standing out in a noisy world. The musical landscape is more crowded than ever, and the only artists we pay attention to are remarkable and unmistakablelike The Bad Plus.

In the 21st century, average is boring.

Photo courtesy of Flickr/William Andrus
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Forget 10,000 Hours of Delayed Gratification

POSTED ON September 16, 2016   |   2 Comments

Flow becomes an alternative path to mastery, sans the misery. Forget 10,000 hours of delayed gratification. Flow junkies turn instant gratification into their North Star—putting in far more hours of “practice time” by gleefully harnessing their hedonic impulse.

Steven Kotler, The Rise of Superman: Decoding the Science of Ultimate Human Performance

We’ve been telling ourselves the wrong story about practicing music.

Practicing is like a job. We need to subject ourselves to tedious work in isolation to achieve future results. The most successful musicians have the work ethic to slog through the most hours. Those who succumb to instant gratification are lazy, undisciplined, and destined for mediocrity.

Sound familiar? This story is the source of frustration, guilt, and self-doubt among countless musicians.

We can tell ourselves a different story. This new story is more joyful, fulfilling, and effective for attaining mastery.

Surfer at Mavericks. Photo courtesy of Flickr/jacobovs

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One Year Anniversary!

POSTED ON September 08, 2016   |   Post A Comment

This week marks the one year anniversary of the Creative Music Blog! I want to share some exciting plans for the future and reflect on successes from the past year.

Launching this blog last September was part of a larger shift in strategy for how I earn a living as a musician. It also marked a major inflection point in my life. The practice of writing and sharing articles every week has connected me with a worldwide audience and opened doors for new projects and career opportunities.


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Transcribe the Music in Your Head

POSTED ON September 02, 2016   |   2 Comments

Your next creative breakthrough may be all in your head.

Photo courtesy of Flickr/Ivan (more…)

Transcription: Mingus’s Hora Decubitus

POSTED ON August 26, 2016   |   Post A Comment

“Hora Decubitus” (a.k.a.”E’s Flat Ah’s Flat Too”) comes from my favorite Charles Mingus record, Mingus Mingus Mingus Mingus Mingus from 1963. The tune is a E-flat minor blues with a harmonic twist. Each chorus of the melody adds a new layer of counterpoint. I love to teach this tune by ear in my large group improvisation workshops. Below is my transcription of the horn parts. Enjoy!

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The Card Game

POSTED ON August 18, 2016   |   One Comment

The ‘card came’ removed my usual block of being terrified to make s*** up (is it good?) and I felt really free. It was just inside my comfort zone and I was pleased with my own contribution.

– Kendal Seager, violin
Game Symphony Workshop participant

Courtesy of Flickr/William Creswell
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Why Only Is Better Than Best

POSTED ON August 08, 2016   |   Post A Comment

Stop trying to beat everyone else. True success is creating work that no one else can replicate. Don’t aim to be the bestaim to be the only.

When you’re truly unmistakable, the competition becomes completely irrelevant. You’re not the best option, you’re the only option

– Srini Rao, Unmistakable: Why Only Is Better Than Best

Keith Jarrett doesn’t have any competition. If you want to hear Keith’s play live, there is no substitute for the man himself. Wayne Shorter, Esperanza Spalding, Bill Frisell, Roy Hargrove, and Pat Metheny are have carved out their own categories. They are unmistakable.

Are these musicians objectively the “best” at what they do? It’s an irrelevant question. These renowned artists have stepped out of the world of measurement into a universe of possibility.

monk

Portrait of Thelonious Monk, Minton’s Playhouse 1947, Photo by William Gottlieb, courtesy of Library of Congress

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Self-Doubt Versus Idea-Doubt

POSTED ON August 05, 2016   |   Post A Comment

Graphic novel author and illustrator Kazu Kibuishi wrote a succinct description of the creative process that resonated with artists all over the world:

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Quantity Leads to Quality

POSTED ON July 27, 2016   |   One Comment

It’s widely assumed that there’s a trade-off between quality and quality—if you want to do better work, you have to do less of it—but this turns out to be false. In fact, when it comes to idea generation, quantity is the most predictable path to quality.

Adam Grant, Originals: How Non-Conformists Move the World

Courtesy of Flickr/Gwenn Seemel

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Creative Chamber Music

POSTED ON July 21, 2016   |   Post A Comment

Earlier this month a group of classically-trained adult musicians came together to launch the Game Symphony Workshop. The program is designed to unlock and unblock creativity, ease fears, build community, and generate new music.


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